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sculpting --- Sculpture --- installations [visual works] --- Tayou, Pascale Marthine --- kunst --- 7.071 TAYOU --- Afrika --- postkolonialisme --- tekenkunst --- installaties --- Kameroen --- eenentwintigste eeuw --- Tayou Pascale Marthine --- drawings [visual works] --- slavery --- light art --- political art --- assemblages [archaeological artifacts] --- globalization --- sculpture [visual works] --- assemblages [sculpture] --- dekolonisatie
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Mode --- Histoire --- fashion [concept] --- History of civilization --- Applied arts. Arts and crafts --- Belgium --- Fashion --- History --- Exhibitions --- Palais des Beaux-Arts (Brussels) --- Fashion design --- Histoire. --- fashion [culture-related concept]
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This first monographic exhibition to be devoted to the architectural practice of Vers plus de bien-être (Thierry Decuypere, Jörn Aram Bihain, etc.) has been co-produced by the A+ Architecture in Belgium, BOZAR and the Wallonia-Brussels Federation. It focuses on five of their 2014-2015 projects. This exhibition concentrates on projects that are on the drawing board or in course of construction. Models, installations, plans, photographs, and videos highlight the key aspects of each project and reveal the practice's distinctive features, such as rethinking the requirements of a project, coming to terms with the existing context, and experimenting with the limits of the discipline of architecture. Bearing witness to the importance of collaborative work, V+ 2014-2015 also shows contributions by Simon Boudvin, Maxime Delvaux, Rotor, Loïc Vanderstichelen, and Jean-Paul Jacquet, among others. More than a retrospective, this exhibition takes you behind the scenes of major public projects. An exhibition as a tool for reflection. By concentrating on ongoing projects from 2014–2015, the exhibition seeks to serve as an instrument of reflection for the ongoing practice within the firm. The projects realized for the exhibition have therefore ideally the dual status of exhibition objects and actual tools for the project. This makes it possible to combine the production of the project and its ulterior communication, and to produce an exhibition that is not a sublimation of, but a critical incursion into, the realization of the architectural project.
Palais des beaux-arts (Bruxelles) --- Vplus --- Architecture --- Architectural firms --- Agences d'architecture --- History --- Exhibitions --- Bruxelles --- Histoire --- Expositions --- V+ (Architectural firm) --- Exhibitions. --- Vers plus de bien-être (V+)
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Fashion --- Belgium --- History --- Exhibitions --- Fashion design
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Painting --- anno 1400-1499 --- anno 1500-1599 --- Belgium --- Netherlands --- renaissance --- portretten --- humanisme --- gender --- 16de eeuw --- 21ste eeuw --- Nederlanden --- Exhibitions --- kunst --- zestiende eeuw --- 75.041 --- 7.041 --- iconologie --- iconografie --- 75.034 --- van Heemskerck Maarteb --- Key Adriaen Thomasz. --- Key Willem --- Floris Frans --- Pourbus Frans --- Pourbus Pieter --- Vermeyen Jan Cornelisz. --- Gossaert Jan --- Metsys Quinten --- van Cleve Joos --- portretschilderkunst --- portret --- België --- Portretschilderkunst ; Nederlanden ; 16de eeuw --- Schilderkunst ; Renaissance ; portretten ; Lage Landen --- Tentoonstellingscatalogi ; Brussel ; Bozar ; Paleis voor Schone Kunsten --- Portretkunst ; Zuidelijke en Noordelijke Nederlanden ; 16de eeuw --- Schilderkunst ; de mens, portretten --- Schilderkunst ; Renaissance. Barok. Rococo --- Key Adriaen Thomasz --- Vermeyen Jan Cornelisz --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- portretten. --- humanisme. --- gender. --- 16de eeuw. --- 21ste eeuw. --- Nederlanden. --- Peinture de portraits --- Portrait painting --- Portrait painting. --- Portraits de la Renaissance --- Portraits, Renaissance --- Portraits, Renaissance. --- Benelux countries. --- portret, Nederlanden
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Surrealistisch, avant-gardistisch en expliciet: dat zijn de sleutelwoorden van de Belgische mode, die internationaal een ijzersterke reputatie heeft. De tentoonstelling schetst een uniek historisch beeld van het DNA van de Belgische mode, van de legendarische Antwerpse Zes met onder meer Dries van Noten, Walter Van Beirendonck en Ann Demeulemeester, tot de eigenzinnige creaties van Martin Margiela, A.F. Vandevorst en Raf Simons. Naast de gevestigde waarden worden invloedrijke spelers uit verschillende mode- en kunstdisciplines belicht. We zetten ook het belang van de Belgische modescholen in de verf, vooral de Modeacademie in Antwerpen en La Cambre in Brussel. Opkomend talent mag uiteraard niet ontbreken, denk maar aan Jean-Paul Lespagnard en Christian Wijnants.
fashion designers --- fashion [concept] --- costume [mode of fashion] --- Applied arts. Arts and crafts --- Belgium --- 907.5 --- mode --- 391.038 --- Belgische mode ; modeontwerpers --- Kostuums ; voor theater --- modeontwerpers --- België --- geschiedenis, klederdrachten, België --- Mode ; 1950 - 2000 --- kostuumkunde - België --- Exhibitions --- Mode --- België. --- Fashion --- History --- Fashion design --- fashion [culture-related concept]
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